Redbreast – 12 “High on the Pot Part II”

The whisky formerly know as “Pure Pot Still” has had a tumultuous history. It was created as a middle finger to the government, who imposed a malt tax in 1785. Irish distillers set about modifying their whisky recipes to include a portion of unmalted barley and other grains (often oats but wheat & rye were used). Not unlike the mixed mashbill of American distilleries.

Turns out it was pretty tasty and in turn it created a unique category of whisky that set them apart from their Scottish counterparts. Each facility used their own proprietary mix of grains in their whisky creating brands with a loyal following. The eventual decline of the Irish whisky industry caused all major players to consolidate under one large umbrella that became IDL. They continued to fabricate pot still whisky at Middleton but it was mostly used as “flavouring” agent in the blends they were forced to create in order to compete with the Scottish who had found much success with this formula earlier.

The variety of “pure” pot still whisky dwindled down to a few (Redbreast and the contract brand Green Spot) and the recipes used also were streamlined to the following rules. A minimum of 30% unmalted barley and a minimum of 30% malt with a maximum of 5% “other” grains.

As Midleton was the only producer of Pot still Irish whisky they were able to dictate that their preferred ratios be the one to define the category in the IGP, despite the fact that it flies in the face of the history of the many brands they actually use to market their products. There is an interesting set of articles about this controversial IGP on Blackwater distilleries blog blackwaterdistillery.ie/heritage-3/

They are also able to corner the market price on premium offerings of this category since there is literally no competition to bring those into the realm of reason. Many Midleton special editions sell for 300$+ without an age statement or reason to validate this kind of premium. So what’s all the fuss? What does this stuff taste like and will we be able to pick out a common thread to these different brands? Let’s find out.

Nose: Mineral, sweet dried fruits, slight varnish note, almonds, a subtle yeasty sherry note. Putty or perhaps plasticine, there’s a touch of mint too. Some leather, plums, dusty grains and chamomile.

Palate: Light, all on the interplay between the dark dried fruits and the thick pot-still texture. Prunes, buttercream, old oak, spices, some bready notes too.

Finish: Lots of dark notes, paraffin, a slight sulfur. Rubbery notes at the end hold it back a touch.

Notes: Elegant and classy, I didn’t understand the fuss about this whisky at first in fact I reviewed it quite poorly before. It requires attention as it doesn’t jump out at you.

Redbreast 12

40% ABV

87/100

Hazelburn 9 Year Old Barolo Cask / Bot.2016 Sweet Bitter

The Hazelburn marquee doesn’t get the same amount of love as it’s other two siblings, it is definitely a different style not as immediate as the heavily peated Longrow or the industrial wonder Springbank. It certainly doesn’t match up with most people’s ideas of triple distilled whisky, it’s got the depth that you don’t get from something like Auchentoshan and sometimes seems to retain a slight peaty funk despite not being made from peated barley.

The most recent releases have had some sort of double maturation or cask finishing much like this one here, six years in first fill bourbon & then three years in refill barolo Hogsheads, I pitted this one against a cask strength SMWS Cooley from my previous review.

I was the gracious recipient of a heel of this bottle care of @Astroke

Nose: Sweet, cotton candy, definitely alcohol on the nose, soaked cake with sherry, fruits in syrup, cider vinegar, crystallized fruit & juicy fruit gum. Orgeat syrup, loads of vanilla & powdered sugar & cooked banana. It’s pretty sharp and sweet to start off then it diverges slightly with a green note, bay leaf, thyme, salt-cured lemons.

Palate: Full, slight sulfur, browned butter, candied papaya & pineapple. There’s a dark note, sharp almost ozone like, toasted almonds, it’s quite bitter on the back end with a woody/spicy note like cassia bark.

Finish: Lemon pith, sage, granny smith apples, paraffin, celery root, icing sugar, a trace of old leather and & mesquite smoke, peppery chili heat.

The Blab: The nose is shy at first but pleasant, the palate is oily, rich, with this dark note that eventually becomes this bitter/pithy thing that then takes over. The alcohol sharpness lingers until the end with that green chili, black pepper note.

Water helps reduce the bite but it heightens the pepper & lemons.

This one takes a while to tease out its charms, the nose leans heavily on sweet things, it’s the palate that has more oddness.

Hazelburn 9 Barolo Cask

57.9% ABV

85/100

Bushmills SMWS 51.12 – Pastries and sweet treats “A dram in hand is worth two in the Bushmills”

SMWS 51.12 “Pastries & Sweet Treats” Bushmills Distillery 15yrs old Distilled 22nd May 2002 58.9% ABV

I’ve doubled down on tackling my sample box of late, I’ve had success by putting my sessions together around contrast/compare, rather than honing in on a specific expression. With that in mind, when I went in search of a whisky to pit against a 9 yr Hazelburn Barolo cask, I remembered this sample that @talexander graciously provided.

This is a 15 yrs. old Bushmills triple distilled single malt from a first fill ex-bourbon barrel. It was bottled exclusively for the Canadian arm of the SMWS.

Nose: Starts off big all on fruits & jujubes, pineapple, pears, Muscat grapes a touch of talcum. Fresh oak, a slight dusty feeling, with time we get a lot of grain almost a beery lager smell. Finally it gets a bit herbal, lemon zest & thyme.

Palate: Sharp, astringent & mouth drying. Brown sugar, porridge, a touch of beeswax. There’s a green almost grassy feeling, lemon lozenges, and a touch of milk chocolate.

Finish: Creamy yogurt, more porridge, coconut oil & Brazil nuts, chili pepper heat & then finishes on astringent lemon pith and eucalyptus.

Notes: Interesting quite the difference between the nose & palate. It’s a big & bold version of Bushmills, that crazy astringency is a bit distracting, I had a similar experience with another Irish single cask from Eilin Lim and it just sucked the moisture right out of your mouth.

I am happy to have the opportunity to try this release as we rarely get access to Bushmills at cask strength or as single casks, it certainly would put an end to all this talk of Irish whisky being “light”.

Bushmills SMWS 51.12 – Pastries and sweet treats

58.9%ABV

83/100